The commissions Poussin received for modestly scaled paintings of religious, mythological, and historical subjects allowed him to develop his individual style in works such as The Death of Germanicus, The Massacre of the Innocents, and the first of his two series of the Seven Sacraments.
Who inspired Poussin?
One of the most respected Old Masters, and one of the foremost artists in Rome during the era of Baroque art, French painter Nicolas Poussin was greatly influenced by historical Greek and Roman mythology, and as a result abandoned mainstream Baroque painting in his early 30s, preferring to develop his own unique style
What is represented in the art of Poussin?
At the same time, this painting is seen as one of Poussin's most famous allegorical works. It represents the theme of the passing of time and the cycles of life; the four figures representing the wheel of human fortune: Poverty, Labor, Riches, and Pleasure.
What kind of painter was Poussin?
Nicolas Poussin (UK: /ˈpuːsæ̃/, US: /puːˈsæ̃/, French: [nikɔla pusɛ̃]; June 1594 19 November 1665) was the leading painter of the classical French BaroqueFrench BaroqueFrench Baroque architecture, sometimes called French classicism, was a style of architecture during the reigns of Louis XIII (1610–43), Louis XIV (1643–1715) and Louis XV (1715–74).https://en.wikipedia.org › wiki › French_Baroque_architectureFrench Baroque architecture - Wikipedia style, although he spent most of his working life in Rome.
Why was Poussin in Rome?
His enthusiasm for the Italian works he saw in the royal collections in Paris motivated him to travel to Rome in 1624, where he studied the works of Renaissance and Baroque painters—especially Raphael, who had a powerful influence on his style.
Why is Nicolas Poussin famous?
Summary of Nicolas Poussin He specialized in scenes from the Bible, ancient history, and mythology and his canvases are revered for their narrative intensity and their rational and ordered approach to composition.
Who was and what is the legacy of Poussin?
Already at his death, Poussin was venerated among French painters and theorists for having revived the tradition of the ancients and of the great masters of the Renaissance. This aspect of his art would be crucially important for Neoclassical painters such as David at the end of the 18th century.