The only lenses used on the movie were Kowa anamorphics, and they caused Jencks some interesting challenges. Frankie Shaw as Paula Cole and David Harbour as Matt Wertz in HBO Max and Warner Bros.
Where is no sudden moves showing?
The film No Sudden Move is exclusively available on HBO Max.Jul 5, 2021
Is No Sudden Move true?
No Sudden Move draws heavily from the socio-historical setting of 1950s Detroit. While the heist arc in Steven Soderbergh's No Sudden Move is not based on a true story per se, the crime noir-thriller has been greatly influenced by the socio-cultural underpinnings of mid-1950s Detroit.Jul 6, 2021
What lens is used in No Sudden Move?
But for others, it was another personal touch from a beloved auteur. On No Sudden Move, Soderbergh acted as his own Director of Photography under the pseudonym Peter Andrews. He shot the film on a RED RANGER MONSTRO using Kowa's Prominar lenses, , Japanese glass from the 1960s.
Is No Sudden Move shot with a fisheye lens?
No Sudden Move isn't that kind of flex, but it does have its own visual flourish. He shot it with a wide-angle lens that, in tight spaces, gives a fisheye look to scenes, distorting the image at the edges of the screen.Jul 2, 2021
What is an anamorphic camera lens?
Anamorphic lenses are specialty tools which affect how images get projected onto the camera sensor. They were primarily created so that a wider range of aspect ratios could fit within a standard film frame, but since then, cinematographers have become accustomed to their unique look.
Is no sudden moves true?
Setting & Influences Explained. No Sudden Move draws heavily from the socio-historical setting of 1950s Detroit. While the heist arc in Steven Soderbergh's No Sudden Move is not based on a true story per se, the crime noir-thriller has been greatly influenced by the socio-cultural underpinnings of mid-1950s Detroit.Jul 6, 2021
What cameras were used for No Sudden Move?
He shot the film on a RED RANGER MONSTRO using Kowa's Prominar lenses, , Japanese glass from the 1960s. These period-appropriate, anamorphic lenses bring shallow focus, beautiful swirly bokeh, and even some vignetting to the picture's visual language.